Monday, 14 May 2012

New Formation

As some of you may be aware, there have been some changes in the band over the recent months. I have decided to part company with two sterling characters, Marti Bowley who was playing bass, and Pete Maidens who was playing electric guitar.

At the start of the year, I came to the conclusion that instead of leaping from one style to another I have no idea how to go about creating, perhaps I should linger a while and refine the sound I’ve worked on up until now. With that in mind, this year I want to concentrate exclusively on the ballads, and doing them damn well. No more over pronounced phrases, no more pomp, and a few changes in the formation of the band.

Marti and I had played together almost since I put the name Marmaduke Dando out there in 2007. Many of the armpits of London we trawled through whilst honing our instruments, often trying times, but always bearable with a level of camaraderie equal to the quality of this fine fellow. Unfortunately, in 2011, Marti came to the conclusion that he wasn’t as good as he’d like to be the double bass, and wanted to revert to his original instrument, the electric bass, in order to concentrate on something he knew he was good at. Despite protestations from myself, the rest of the band, and many of our close friends, there was no changing his mind. We tried to work the electric bass in to the band during 2011, but I felt toward the end of the year that it wasn’t quite the sound I was after. Even more so with what I’m hoping to achieve this year. Marti is a phenomenal bass player, and it has been a pure pleasure to work with such a high standard of musicianship.

Pete joined the band in 2010 on guitar and took to the role with great gusto and displayed a natural musical intuition I’ve not witnessed before. We played many a fine show together in the last 2 years, at festivals, on boats, in pubs, and yes, in a few armpits too. All of which were a rollicking good crack that wouldn’t have been the same had he not been a part of it. Yet again, a damn fine guitarist that I could not have been more lucky to have worked with.

In the new formation I’m looking to put together, there will be Andy still on drums, Sonia on the piano that will come out to the fore a little more than in the past. I’ll be taking on some light acoustic guitar duties and singing, hopefully, in a more natural style. I say hopefully, because having any objectivity about one’s own voice is near on impossible. It takes time and constant reflection, in my experience. I’ll also be adding a double bass player to this line-up, along with some softly blown trumpet.

I sincerely wish Marti and Pete the best in their onward musical endeavours. Chaps, it’s been an absolute pleasure.

London to Portsmouth on foot

“Off in search of Walden…again” responds my inbox automatically for the last week to anyone that wrote to me. It seems to be a recurring theme, this search for Walden. Walden was Thoreau‘s escape, a place where he found a spirituality with the earth that bore him. My automated responder however, suggests that I’ve tried on numerous occasions, and yet still haven’t found what I’m looking for. To be honest, I don’t think I even know what it is I am looking for. The throbbing void within me continues on without articulation, not having any terms of reference to cling to. Being bludgeoned by the Ultimate Truth of science and surrounded by a rabid commercialism from the moment I could speak, probably didn’t help. Growing up in a suburb outside of the city of Portsmouth, we didn’t do God and we didn’t do nature. We just did what we were told.

Last year, at the Uncivilisation festival there was a moment where I noticed my hometown on the distant horizon through a break in the trees. I was staggered that a place I’d come from and subsequently written off, could be so close to the euphoric experience I was having at the festival. It was then that I pledged to myself that I would walk to my old home, from my current one, from London, to Portsmouth. At first conception, this was purely to see what was there, to find out what was literally between the two cities, how the landscape changed from one county to another. It was an exciting prospect, and at that moment the great pilgrimage I’d dreamed up felt incredibly alluring and mystical. How tired I must have been with the common and acceptable forms of escape, that undertaking a walk through Surrey and Hampshire, would become romantic and even exotic.

9 months on and I finally decided to carry through with the plan. The original reasons for doing it, still held, but by this point, I had new ones too. It appeared to me before I took to the road, that all our experiences are basically the same when we consume from the market. Straplines and products all brainstormed in breakfast scrums, graphically designed and packaged up, and then sold on to us as a unique and mutually beneficial transaction. This walk was not designed, nor commodified in any way. Indeed, to most, it would no doubt be a deeply undesirable way of spending a week. It was not socially permitted, but it was still possible (legally, technically, physically etc), and therein lies its uniqueness, under lining all other motives. This journey was not only one of intrigue into the landscape of southern England, but an exercise in freedom too.

So off I went. I left Paddington on Day 1, while the heavens were wide open. “Come rain or shine”, my inner monologue was bitterly barking. Through the plush west London neighbourhoods, over the Hammersmith bridge, down through leafy Barnes, and onto Richmond Park. The grazing stags conjured images of Fenton’s rampage last year, and kept me chuckling all the way Kingston. An A to Z served me well up to Surbiton, where I had to change to an Ordinance Survey map. The walking turned drab through the suburbs of Long Ditton toward Clayton, so when I reached some green woods, I breathed deeper. Little did I know that I’d stumbled upon Little Heath, a site where The Diggers had cultivated common land to receive a security in sustenance that they were denied elsewhere. They ended up being denied here too, after they were driven away by the local lord of the manor. I walked on with this in mind, and just as I turned a corner from the plaque that described the history of the area, a huge private compound loomed menacing on the lane. Cargill, the gigantic industrial agriculture and food processing corporation decided to locate their international headquarters there. Warning signs of CCTV and guard dogs plastered the fence surrounding the Knowle Hill Park enclosure. Gerrard Winstanley, one of the most prominent voices of The Diggers, once declared “true freedom lies where a man receives his nourishment and preservation, and that is in the use of the earth”. As my stomach turned, I felt he must have been turning in his grave. Not much has changed my dear fellow, not much at all.

I trudged on through Cobham and popped out in some fields just within the M25. There at the end of a lane where people walk their dogs, I camped for the night, under some trees by a stream. I’d chosen to settle just as darkness was falling so as not to be seen by many people. One curious couple out for an evening stroll hazarded a question as I was erecting my tent, “Are you nature watching?”, to which I replied dismissively but cheerfully with the briefest summary of this story so far. “Nature watching? Whatever can they mean…” I thought to myself as they walked away. “Is this some new middle class past time I haven’t heard of?”, and then unfortunately concluded, “well, yes, I suppose…I am Nature Watching”.

Sleeping lightly, I woke to Day 2 at 6am. A quick breakfast in front of the sunrise and then got on with the long day ahead. Walking towards the omnipresent roar of The Orbital, I crossed over and out, just past Downside. It was 8 o’clock in the morning and I was walking on A roads towards Effingham Junction. Lone commuters whizzed past me in their Beemas and Audis. Their off-spring were dressed up like their careerist parents and waiting in polite droves at the side of the road for the coach to take them to their assimilation centres. All day the poor bastards would be hammered with useless facts, then post school they’d be hammered in Jukus until their parents returned from the coal face, where they’d hammer them once more themselves before bedtime. Or most probably they’d outsource the hammering to the entertainment systems. Life in Horsley…the envy of the whole country, no doubt. Into the woods at the bottom of St Margaret’s Hill, scaled the incline to the church, then down the back alleys of Chilworth. On to some B roads through Godalming, popping flap jacks and boiled eggs into my mouth on every hour.

It was sunny on this day, so all my wet weather gear was in the pack, adding much more weight, and I could feel every gram of it desperately. I started obsessing about the contents of my pack, listing every item in my head, and assessing its true value on the journey. I began to realise, that what was making the walk unpleasant and even loathsome at times, was fear. I had an irrational sense of fear of the unknown, the fear of the elements. Totally rational in the modern sense of course, but in a greater context, it was ridiculous. It was the start of summer in England, not winter in Archangel. I was highly unlikely to come to a grizzly end at the hands of the elements. I was reminded of one Tweeter who wished me well but bade me cautious as “the country can be dangerous, you know, ticks and things”. Hmmm, ticks… quite. The focus of my anger shifted from the weight itself, to the causes of the weight. Why was I carrying water? There are no reliable streams and rivers in which to drink from in England due to industrial scale agriculture. This could be true, or it could be a disclaimer I was projecting. Who was to know? I’d been walking with friends in northern Sweden a few years ago, and we only carried receptacles, there were fresh streams all over the place. One only needed to bend down and scoop some up whenever thirst made itself present. I took it all for granted then, but certainly not now, with all this excruciating load bearing down on me. Allemansrätten anyone?

Much to curse on the way through Witley, up to the quaint cottage lined viewpoint of Sandhill, where indeed the hill was made of sand. At Brook I devoured a pub lunch for dinner to give me the final push towards the Devil’s Punchbowl. Getting there would require crossing the infamous A3, the long standing road that connects London to Portsmouth. What I thought would be a very quick crossing, ended up taking an extra hour. With the recently finished Hindhead tunnel bypass, they had eliminated a couple of ancient footpaths. Where the map showed my route, there was a secure electric fence to keep me off the road and whatever else they had in mind. The end of the day thankfully turned into a relatively peaceful one. As I descended into the wooded caldera, the sun was setting over the woodland and the traffic noise receded enough for me to forget the day’s woes. I found a big fir tree and the bottom of the depression and set myself down to pass the night beneath it.

In the morning, it was raining drizzle, but the great boughs of the Fir kept much of the discomfort away whilst packing up. Day 3 was to be just as arduous as the previous, with the aim of getting past Petersfield in the most pleasant way possible. I hiked out of the Punchbowl, touched Hindhead’s eastern flank and walked towards Haslemere. The morning traffic here was gridlocked, and it looked like this was typical in the town. I staggered slowly past every jammed vehicle and came to a traffic information sign saying, “The weekend of the X this road will be closed for engineering works”. Directly beneath it was another official sign, with an air of desperation yet no hint of irony, saying “Stay calm and keep shopping in Haslemere”. I groaned onward out of the town, down the country lanes of Lynchmere, getting lost for a while, but finding my way back through a golf course, and into The Black Fox for a pub lunch. Inside, a surly Scottish landlord with no interest in anything and contempt for everything, serving the retired elderly folk and their retired adult children who Were Driving. On to Rake, Hill Brow, stepping down into an Ancient Woodland. This was a most agreeable hour passing through Durfood Wood, listening to the bird noises reverberate under the canopy, and for once on this trip, the number of non-coppiced trees outnumbered the coppiced.

Shortly after, at Durleighmarsh there were fields as far as the eye could see, and as I climbed up a style I became momentarily awestruck. The onward footpath went straight across a field of brilliant yellow flowering crops. The mid-afternoon sun was dazzling, the skies were raging blue. It was glorious. It was the kind of thing I wanted to tell everyone about when I returned home. But then I realised as I walked through the mono-crop of oil seed rape that there was nothing close to pretty in this scene. Biofuel, state backed with a minimum percentage mix for every diesel pump in the country. Land devoted to gross misuse in order to keep England and its people dependent on world markets. Coupled with the construct of private property to spin matters with an air of legality, the perfect corrupt system before my very eyes. I looked down at the ground beneath my feet, there was no weed, no insect, no nothing, but a hard barren looking soil and the Rape thrusting skyward. God knows how many tonnes of fertilisers and pesticides they spewed across these acres to grow diesel for the utterly pointless journeys of millions. As I crossed the field a mantra sprung up in my head that I couldn’t banish, “Rape by name, Rape by nature. Rape by name, Rape by nature…”. On and on it went like some inane pop song you just can’t shake, all the way to the Petersfield suburbs.

Here the houses began to look familiar to me. They had that classic non-design look of the 1960s that they used to throw up all over the south coast of England. They looked just like the house I grew up in, I was clearly in Hampshire now. Waves of fatigue set in as I approached the centre of Petersfield. I’d had enough of the meticulously planned and commodified countryside, of the sprawling listless boon docks, and the pockets of sham arcadia. I was at the end of my tether here, I was ready to submit and flee back to the warm artificial bosom of the city. I promised myself, as soon as I was the other side of the A3, again, I would pitch up and pass out.

Thankfully as I hobbled out of the way of the speeding traffic on the London to Portsmouth highway, I had a second wind. I realised the sun was setting, and that Butser Hill was within sight. Wouldn’t it be wonderful to settle down at the top to see the Meon Valley fade into the gloam, I thought. I slid quickly into the rhythm of a march and powered through the little lanes around the hill for the last 4 miles of the day. At the summit there were dog walkers and children and their nannies, all about to clear out and leave me to the highlight of the trip. I leaned back on my pack as if it were comfy old sofa, fired up the primus with some stir fry noodles, and watched the sun dip slowly down over Hampshire. My body utterly exhausted, and my brain a total void, I could barely comprehend what it was I was experiencing. What was this country I was born into? How did it form my character? Where was its true essence? What was relevant? What was the Ultimate Truth? What was to be done? Staring gaga 93 million miles into space, no answer came back. Once dusk set in I moved across to the other side of the hill, overlooking the A3 and Portsmouth, the final destination. I thought perhaps it would be nice to see the sun rise, for consistency’s sake, if nothing else. There I pitched on the hillside, the twinkle of the city of Portsmouth in the distance.

The morning was overcast, so the sunrise wasn’t to be. Day 4 I hoped, would be fairly leisurely, as I was close to the end and wanted to dawdle a little in my old haunts. I descended the hill along more narrow country lanes, brushing past the site of last, and actually this year’s Uncivilisation festival too. There were few people around, a man from the council needlessly strimming a grass verge, some dustbin men collecting refuse at the birthplace of cricket, The Bat and Ball. I entered the back of Denmead just before midday, and detoured into the cemetery to find my Dad’s aunt’s plot. As I was looking for her stone, here were two more men strimming the grass, this time around the graves of dead people and making an ear splitting infernal racket. I frowned. Surely this is no way to tend to a site where we have buried those we have loved and lost. A few moments later I chanced upon an epitaph, and stood a while processing the inscription, “…who leaves behind a loving family…will be dearly missed…always in our hearts”. It was at this point that I lost it. Emotion for the first time during the whole trip overwhelmed me. It was an immense sadness for the loss of something I’d never even known. A lack of comprehension of what it was I had and hadn’t witnessed in the last few days. All of it bound up in association with the empathy I felt for the relatives of the deceased’s headstone I was reading.

I struggled out of the cemetery without any composure, the men from the council strimming away with their ear defenders on, completely oblivious. To the nearest pub, the White Hart I believe, for an ale and a hearty lunch of something welcome but ultimately forgettable. Back on the road, through the Forest of Bere, and up to Southwick, the last village before I had to climb the Ports Down Hill. With plenty of time left in the day, I took another pint in the Red Lion, a respectably carpeted establishment unfortunately under the tyranny of the F*llers pub co. Over the 4 days I had exchanged curt pleasantries about the weather with the odd person, but somehow I’d managed to get this far without an actual conversation with anyone. It wasn’t until the landlady of the Red Lion struck one up with me, that I realised how completely alone I had been. The presence of man could be felt all over the countryside in multiple ugly ways, but there was barely anyone there actually living. Most had gone there to die, to play golf, or to commute, if there’s even a difference. And it made the whole place dead as a consequence. We acknowledge the hyper atomisation in the cities, but it’s here in the countryside too. I warmed immediately to her, and was so grateful for the grain of humanity she extended toward me after these barren 4 days on the road.

Slightly buoyed from social interaction and a couple of pints of HSB, I walked out of Southwick and up the hill through the country lanes that would lead to Portchester, passing through more fields of rape as I ascended. As I came up to the summit of Ports Down Hill, the city of Portsmouth the relentless outer sprawl lay before me. I walked down the hill a little watching this horror unfold, and came to a footpath and a plaque announcing Portchester Common. I’d grown up in Portchester for 16 years of my life and I had no idea there was an area of it devoted to the commons. Not that I was missing much. Portchester Common was a squalid little field with a few scrub bushes, dissected in two by the M27 motorway, trampled down by pylons and telegraph poles, and completely forgotten by the people of Portchester. What a site to behold standing in the middle of it, a spaghetti of cables overhead, cars below, and a maritime scene in the distance to rival Pearl Harbour post-attack in its ugliness. I sobered up pretty quickly and clumped down the hill to the house where I grew up.

It was still there, a few modifications, some decking, net curtains, what you’d expect. I walked down the lane that ran along the side of the house, and heard kids laughing in the back garden. Yes, despite the conditions, moments of happiness were possible here. I was heartened. Onward, down to the old schools where the trees had grown so tall, and yet were just saplings when I was a boy. They’d painted my junior school a mixture of turquoise and green on the panels that clad it. I stood grinning at them thinking, “That’s a nice colour. What a lovely colour for the little ones.” And I meant it. Down past the last pub of the town to be converted into a Co-operative supermarket, down past the petrol station upgraded to an M*rks and Spencer supermarket, toward the Wicor Rec. Along the harbour front towards Cams Estate and its golf course. Stopping briefly to read a historical plaque about the area, “Fareham once had a thriving ship building industry in the 1800s due to the local availability of timber…but the industry died when there were no more trees left in the area”. No doubt some local politician was championing it at the time with the tedious idiom, “jobs and growth”. I got to Fareham in the late afternoon, and spent the night at my aunt’s house, weary, spent, and desperate for a bath.

The next morning was the final and 5th day. I had just a few miles to complete, most of it along one long A road to the Gosport Ferry. My aunt and her dog accompanied me for the last leg. There’s not much to say about these last few miles. They were dreary except for the odd colourful glazed tiling of a Gosport pub. We reached the ferry terminus, crossed Portsmouth Harbour, and that was the end of it all. Within minutes I was on a train bound north to London, flying roughly through the route I’d walked for 4 days, in 1 hour 30 minutes.

So there it is, an account of London to Portsmouth on foot, by a curmudgeon to rival all curmudgeons. Maybe. I tried hard to be objective on the road, and as far as I’m concerned I was. But ultimately, this is what I found, this is what I saw, and this is how I interpreted it. Call me a cynic, call it inevitable progress, but the facts remain. It’s ugly out there. Any perceived spots of beauty are nothing more than contrived, artificial, essentially a Disneyland. This is no path to genuine fulfillment of the human soul. All we can hope for in our unlucky generation is some rabbity flea bitten compromise. Theodore Roszak summed it up perfectly in the first line of his essay entitled ‘Where the Wasteland Ends’: “If it seems cranky to lament the expanding artificiality of our environment, the fact underlying that lament is indisputable, and it would be blindness to set its significance at less than being the greatest and most rapid cultural transition in the entire history of mankind.”

This conclusion could have been derived at before, clearly, as it’s no secret that England is an industrial wasteland. I just desperately wanted to be surprised, and I’m deeply saddened to say that all it did was meet my expectations.

Tuesday, 20 March 2012

All necessities provided for, all anxieties tranquilised

I cannot tear myself away from the thought that my cat's captivity is a metaphor for civilisation. Yesterday evening, after a tiresome shift up at the dizzy heights of the datastream zenith, I was trying to unwind with a little light reading. My small cat was having none of it. From out of nowhere, he leaps across the cabin and locks onto my arm with his barely matured kitteeny teeth. I clench all the muscles in my arm to tighten the skin so he can't draw blood, and after a few seconds he gives up and falls back to the floor. But the vacation he took from my flesh was short lived, as he was soon reacquainted with it in a matter of seconds, thrashing around trying to find some purchase, something, any angle that would hurt me. All I could do was to cuff him round the head, but that has never worked before. So I'm sat there with a cat hanging off my arm asking him "Hey what are you doing?", in a tone reserved normally for human infants. He didn't answer.

Does this sound familiar to you? It sounds awfully familiar to me. Here we have a master and a pet, the domesticator and the domesticated. I am the authority, the provider, the rule maker, the benevolent dictator, and his only role is to obey me. To live out his life within the boundaries I set for him, is his only option from the day he was born until the day he dies. In short, I am civilisation, my cat is mankind.

But what more could he possibly want? I feed him well, a little too well sometimes. You should see him pawing the air in jubilation when I go to the cupboard to fix his dinner. I stroke him under the chin and behind the ears and he purrs in reverent ecstasy. I make his environment clean, dry and warm, pure comfort, safe from the elements. All his necessities are provided for. All his anxieties are tranquilised. But this little cat is still left wanting.

I believe he is craving something primal, something he cannot reach in the domestic utopia I provide for him. He wants the elements, and all the dangers associated with them. Real freedom and pure autonomy, will be the only true happiness he could ever know. Not the sham happiness of a finger under the chin purr. It is merely soma, a method of placation. He has his catnip, we have our cups of tea and coffee, our tobacco, our motorcars, our radios, our television, our mortgages, our holidays, our anti-depressants, and more recently, we have the internet. Tiny straw tokens of freedom, that we snuffle down as fast as we can. We will our domestication upon ourselves, it's almost a positive feedback loop now it has become so refined. But just like my little cat, are we truly happy, in the primal sense? Where we only are responsible for our actions against the elements, against the lashing sabres of the wild.

When the little cat savages my arm, I see Al Qaeda. I see the Arab Spring. I see young Chinese throwing themselves to their deaths from the roofs of the factories where they make Apple products. I see the hundreds of thousands of Indian farmers that have committed suicide in the last few decades. I see emasculated British fathers who exterminate their families for seemingly no apparent reason. I see the riots in London last summer. I see the man on the number 43 bus stabbing an innocent fellow passenger because he asked him to stop throwing chips at the head of his girlfriend. I see Bristolians trashing a Tescos because they do not want it in their community. I see militia groups in the Niger delta blowing up oil flow stations. I see Somali pirates. I see the Luddites. I see Tibet. I see the SNP. I see Occupy. I see oppression, on the whole.

And when he claws at my knees while I'm making dinner, I shush him away, just like the politicians of the world do (with a great deal more force I might add) with their handy instruments of state, the police, during some annual conference that doesn't include any of us, but actually concerns every single one of us. Hey hey, shush now, we're busy making deals for your ultimate benefit. We're going to keep you warm, cosy, in supply of everything you need. We're trying so very hard to live up to our strapline: ALL NECESSITIES PROVIDED FOR, ALL ANXIETIES TRANQUILISED. So won't you just be quiet, get back in your place, enjoy what we hand down to you...or alternatively take a smash in the face by this here protector of services, and await greater incarceration. You have a choice, now choose wisely.

This is the global narrative of civilisation. This is what the domestication of my cat is highlighting for me on a daily basis. Bless his little oppressed soul.

Thursday, 16 February 2012

An Apology

I feel I should make an apology after a brief encounter I've just had with a chap that can only be described as monumental eco-fascist.

I'm well aware I may have come across like this a good few years ago, rejecting any argument that didn’t fit my own, completely out of hand. There was no reasoning with me then. I knew the facts, and everyone else was ignorant to them. How could they possibly agree with me when I had the knowledge, the statistics, the factoids, and the shiny anecdotes? Everything was seen through the back end of a pair of binoculars.

But time wears on. One forgets the statistics over the years, the trivialities of everyday life rear their head and distract you from your righteous cause to save the planet single handed. Coupled with the fading drive to live by your principles, comes a leviathan of futility so gigantic that it’s near impossible to continue being hopeful. Your individual positive action is like pissing in an Olympic sized swimming pool.

Despair, however, is not something to cling to. It is merely one stage in the process of acceptance. You can come at this from many different angles. A discovery of the reality of climate change, peak oil, species extinction…the list goes on. All of them though share a common bond. They are expressions of our might, intelligence, and lack of wisdom as a species.

This is what I’ve come to accept now that I’ve come out on the other side of the storm of facts and figures. We are mere prisoners of our genes, and no amount of enthusiasm for technological progress will get us out of the mess that we created, through technological progress in the first place. The error begets the fix begets the error etc. Therein lies the intelligence of our species, the unparalleled ability to problem solve, whilst simultaneously not having the collective wisdom to see the greater picture.

Following the acceptance that we are only smart animals and nothing more, is a much calmer place. I no longer knee jerk into a combative mode, no longer feel the need to dogmatically stress the importance of my Stalinist antidote to a single environmental issue. I hope I come across these days as more reasonable, and more willing to see others' points of view. All of them are valid in the grand scheme of things, enough for consideration at least, and even more so in the context of the ecological and social collapse we are facing as a civilisation.

So having had a mirror held up to me recently, reflecting a former self, and finding it pretty repulsive, I feel I should offer an apology to anyone that had to deal with such a deeply unpleasant character. I sincerely regret exposing myself in this way and hope you can forgive me for passing through such an asinine phase.

Wednesday, 11 January 2012

Best of 2011

It seems like a lifetime ago that there was a thing called 2011. However, I've only just gotten around to sorting out a list I've been compiling over the last year of my favourite musical discoveries. Some are new releases for 2011, some are new discoveries for me, and some are cherished rediscoveries. It's all a bit electronic and very pop, I grant you, but it was just that kind of year I'm afraid. Plenty of lonely nights out on crowded dancefloors, you understand. Enjoy, if possible, and thanks to all that introduced me to anything on the list.

Click the below youtube player and it should play the whole playlist one after another, or see the list of individual tracks further down.




1. Flight Facilities - Crave you Feat. Giselle
2. Totally Enormous Extinct Dinosaurs - Garden
3. Architecture In Helsinki - That Beep
4. Yellow Magic Orchestra - Taiso
5. Blood Orange - Sutphin Boulevard
6. Friendly Fires - Hurting
7. Bombay Bicycle Club - Shuffle (Leo Zero Remix)
8. Suicide - Cheree
9. Magistrates - Make This Work
10. Fool's Gold - Street Clothes
11. Metronomy - The Bay
12. M83 - We Own the Sky
13. Destroyer - Savage Night at the Opera
14. Scott Walker - Rawhide
15. James Blake - The Wilhelm Scream
16. Totally Enormous Extinct Dinosaurs - Trouble
17. Janis Ian - Stars
18. The Weeknd - The Morning

Friday, 9 December 2011

Takamine Acoustic Guitar EN10C

Takamine Acoustic Guitar EN10C for sale - Starting at £300 / Buy it now £350

Bought new in 2000 for £900, this guitar has been a true reliable work horse and has seen many a gig over the years. I'm finally selling it as I'm looking for a different sound now. It is worn as you can tell from the photos, but not to the detriment of its lovely warm tone that has noticeably matured over the years.

A great all round acoustic, perfect if you're a strummer or more into picking or lead as there is a cutaway so you can access the higher frets. None of the strings buzz on any of the frets. The preamp is in excellent condition, giving a good clear sound when DI'd. Researching prices of the EN10s, it seems the mint conditions go for £500 and those with marks go for £400. Would prefer collection, and am based in London, but can post for £25. The guitar comes with the original hard case. This would make a great Christmas present for any budding or seasoned player.

You can hear it on many of the recordings and see it in live videos linked to on my site here: http://www.marmadukedando.com/

See all the photos below.

You can bid on this item here:
http://cgi.ebay.co.uk/ws/eBayISAPI.dll?ViewItem&item=190613261860











Revelations: Anton Shelupanov

The latest Revelation I bring you is an interview with Anton Shelupanov: prison reformer, boxer and lead singer of death blues band, Bleak. We talk about prison systems around the world, hyper incarceration, the war on drugs, and why blues is still a relevant modern genre. Also in this interview the main songwriter of Bleak, Yvonne Okoduwa, speaks out about life in Bleak.



For more information on Bleak follow this link:
http://www.lineoutrecords.com/releases/bleak-for-the-good-of-the-nation/

Friday, 30 September 2011

Revelations: Vinay Gupta

It has long been an ambition of mine to create a series of audio podcasts, in which I interview the various intriguing characters I happen to come across. The name of this series is to be called Revelations with Marmaduke Dando. After a few false starts, I finally have a Revelation in a format I am happy with.

Below you will be able to stream or download the first podcast, fresh off the Revelation press. Listen to me interrogate my first guest, Vinay Gupta, and hear my brain slowly ticking over as it tries to grasp the difference between what is being said and what is being implied...



I do hope you enjoyed that. The trader interview that was referred to in the interview can be found here. If you'd like to find out more about Vinay, you should visit him here, http://vinay.howtolivewiki.com/blog/about
and follow him on Twitter: leashless.

Wednesday, 7 September 2011

The Sediment of Society

We made a short video to accompany the woozy piano lead, Bukowski inspired, drinking song, "The Last Drink", the other day, all stitched up and directed by Andrew Clarke. Many thanks to him for his patience. It was shot on good ship Minnow, where I reside, and features the rather brilliant Sonia Gurdjieff on the ivories. Take a look below.

Thursday, 25 August 2011

Coming home

Uncivilisation festival this year was held in the countryside just outside of Petersfield in Hampshire. Taking the train down from London with my band mates, gave me a sense of nostalgia for where I grew up. This was the same route I would take to visit Portsmouth, when I still had family living there. From the station, the band and I bundled into a taxi and sped off to the festival site to make our soundcheck.

As we passed through the fields and woods of the Meon Valley, I let out a "well I'll be damned" grunt to myself. It was really quite pretty round these parts, and it brought back all the memories of the walks my parents used to take me on. I hated being taken along on the walking group we were a part of. All I wanted to do at ten years of age was to play on my GameBoy or watch television all day long.

The greatest pleasure I could take whilst on those walks was to find a walking stick, then promptly try to trip up my poor mother with it. That memory still makes me chuckle even now. To think though, that I had no interest in any of the natural world as a kid. I would stretch out in meadows as we had lunch somewhere, like some impish druid, mud splattered, grass stains up my trousers, a streak of dirt across my forehead. But I was not revelling in it like I would now. Now I would be like some overzealous student of DH Lawrence, thrusting my hands into the slime of the earth with purpose, to gain pagan credentials, or some such nonsense. As a kid, I was just making the best out of a bad situation. I guess that's just what kids do.

As we pulled in to The Sustainability Centre, the sun was low, and the site was calm except for the Feral Choir singing their lungs out somewhere off in the woods. I was very excited to be there. Having followed the Dark Mountain from its beginning, it had been a firm friend to me in my own personal journey, influencing and reaffirming over these few years. I had written a number of protest songs, which was my own way of contributing to a counter narrative. These included "If This Is Civilisation", "Give Me Detumescence", and my most recent "Infinite Squalor" that was to be debuted at this festival.

Primed with a healthy dose of sloe vodka and some local ale, we got to it, rattling them off to what was essentially a crowd of anarchists. I've no idea how we went down, it was just a pleasure to be there and a part of it all. There was a firm feeling of jubilation around the campfires that night, as if we were all there for a debriefing on a very important mission.

Saturday morning, that debriefing began, with talks on collapse, talks on the relevance of the Luddites today, a lesson on how to make alcohol from just about anything, entitled “Prison Booze”, and much more. However, much of that was eclipsed for me by a deeply humbling moment during the talk on the Luddites.

An old man that was sat at the side of the room got up and told the whole room: that he had been in the war, had read the American newspapers, which had excited him, had inspired him to follow the dream that they preached. Said "I worked for an American company for 40 years. I'm retired now, been so for 15 years. I just want to say, that it really hurts. To know that you've wasted your life for nothing."

He sat back down, without a hint of emotion on his face, just matter of fact. I was completely floored, my eyes were streaming, and I couldn't hear anybody else for the rest of the session. For someone nearing the end of their life to make an admission like that, let alone in front of a few hundred people, takes a humility rarely seen. What made it worse was that he was inconsolable, because he was probably right. There was nothing anyone could say to him to make him see it in a different light, and to attempt to do so would be to try to get him to believe in a lie. Utterly heart wrenching.

Arranging the evening Power Down in the woodland hut with that great harbinger looming over me was no easy feat. We laid out the candles, I made the relevant introductions, and promptly sat down on a pew. I paid barely any attention to what was going on in front of me, apologies to my friends that performed that evening. All I could think about was the old man’s words going over and over in my head, “It really hurts”.

Thankfully, I was soon awoken from the broody spell, and post Power Down we were all ushered back to the centre of the festival. Darkness had fallen and everyone was converging around a camp fire at the edge of the woods waiting for something to happen. Soon enough a small group of individuals became distinct from the crowd, wearing robes and with faces painted. This was all part of a performance piece called Liminal.

We were asked not to bother with taking photographs, to switch off our telephones, and to “watch out for the stag”. The group then disappeared into the woods and they beckoned us to follow. A flute began playing at the head of the party, and in single file this crowd of hundreds entered the motley English taiga in complete silence.

We encountered illuminated black and white artworks depicting historic scenes. They almost resembled cave paintings, albeit suspended in mid air amongst low branches. A faun like character, I’m guessing the “stag”, was huffing away somewhere out of sight and charged at the line of pilgrims from time to time. A naked man was lying at the base of a tree in the foetal position cradling a large pelvic bone in his arms.

We eventually stopped in a clearing in the woods where the flautist was still playing accompanied occasionally by a lady singing beautifully with no words. We waited there for all the other pilgrims to arrive in the clearing, to find a space for themselves. Of course, everyone’s interpretation is subjective, but to me it appeared that once the crowd was settled into the clearing, that we began to reflect, en masse. It was an undefined period of reverence, an appreciation of our immediate surroundings and the moment. A few candles dotted around lit up the canopy above us, just enough to give contrast to the clear starry night behind it. I for one was besotted.

I forget how we disbanded, but soon found myself around the campfire singing Dylan and Bowie songs. Naturally. The campfire being the most purest of democracies, no intimidation present, just about everyone offered a song, a poem, or a fragment of something. It didn’t seem to matter what, just that it was a little piece of themselves, almost as a sacrifice. It was a welcome equalisation of the distress from earlier in the day, and with a full heart and a big smile I laid my bones down to sleep.

This was the emotional terrain of the uncivilised weekend for me. Old questions answered, new ones quickly sprung up in their place. And with Portsmouth, the place where I was born and raised, looming on the horizon, visible from the festival site, there was a sense for me of coming home. Coming home to something familiar, but not actually experienced. Something burning in the bones, something inexplicable through science and reason. Perhaps a figment of my imagination, but I don’t see why that should matter in the slightest. What is becoming increasingly clear, thanks to the weekend at Uncivilisation and the Dark Mountain Project in general, is that there is a way through the tough times ahead. That navigation, I think it will be more meaningful than if none were needed. Rather collapse and all that entails, than the promise of infinity.

Wednesday, 17 August 2011

Virgin to the flame

This post may roll some eyes, I'm sure. To some it was inevitable given the amount of virtual banging-on I've been doing in the last month or so. However, I must share with you my excitement for this set of recordings, 'The House of Balloons' by The Weeknd.

What do I know of it all? Not a great deal. Young chap from Toronto, 21 years old, made it all in his bedroom. Oh that old chestnut eh? Only later do we find out that 2011's answer to Trevor Horn was producing. I know, I know, we've heard it all before.

Regardless...smooth androgynous vocals, heavily treated with a vocoder on many of the tracks, as he sings, stroke, raps his way through them, all to a backing track of electronic beats and wait for it...sped-up looped samples of...only my favourite band of last year...yes that's right...Beach House. What an incredibly heady concoction: dreamy choruses from Victoria Legrand punctuating this urban style croon of obscenities. And thank god it's not just one track, but multiple.

'The Morning' is certainly the standout track on 'House of Balloons', sounding in vibe but not content, like a number 1 hit record from the 1990s. However, this on repeat lasts just a few weeks. After you've lived with these glorious productions for a while, it's like looking into a magic eye painting, suddenly all the context leaps out at you in 3 dimensions. The motive behind the name becomes so ridiculously axiomatic, you feel silly you ever wondered about it.

What becomes clear is that the whole 9 tracks are the charting of a very long weekend indeed. One that is full to the brim with copious amounts of drugs, booze, lust, sex that doesn't happen, sex that does happen, what-is-she-doing-with-him, blow jobs, youthful arrogance, dancers, the list can go on, and does. In short, the ruminations of a teenage boy. Or the graffiti on the path to hell.

But my god, how the loins can stir when put so eloquently. Every party you ever went to, you wish they turned into this. For your mediocre memories, you'd take the mightiest come-down the world could conspire for just that one long evening of a hedonism only imagined in songs like these.

This is so on the mark of the moment it is quite unbelievable. And you may wonder, what this, *clears throat*, curmudgeonly old luddite who's apparently always harking back to days never endured, is doing listening to something so unashamedly decadent and on the pulse.

I tell you, when there is no hope, there is only oblivion. With the choice of jumping or being pushed, The Weeknd compels me to jump head first, like a virgin to the flame.

Download 'The House of Balloons' legally and for free from The Weeknd's site.

Listen to 'The Morning' below.

Friday, 5 August 2011

The Merits of Travel

Like an indefatigable leviathan, the issue of travel keeps coming up in conversations at the moment. Everyone I talk to is vehement that we must be doing it, like some blinkered religion no one stops to question. But the relevance of it, I can't get over the question of whether there is any or not.

We're taught in Britain that it's our birthright. To be able to move freely through the world, to seek employment, adventure, or relaxation, all just as equally essential. We are all middle class now and the world is our playground. We have overcome our capitalist oppressors, *chortle*, and we can now enjoy such luxuries as the experiences that only other countries can offer. Just like the rich once had exclusive access to. Our health, wealth, and life expectancy in comparison with our ancestors and the current slaving masses in the "developing" world, are testament to this.

But does anyone stop to question its relevance? Sure, we can argue that the experience one gains from travelling the world gives us perspective, which helps us make better decisions, enriches us as individuals and in turn our families and communities. That is hard to dismiss.

But to what degree must we travel in order to gain perspective? Must we see every golden cupola the world has to offer? Witness every "primitive" tribe in all the darkest deepest rainforests? Must we all drink from fish bowls of hallucinogenic drugs with bronzed Swedes on Thai beaches? Eat Argentinean steaks on the Pampas they came from?

Surely the benefit of literature is that we do not have to experience these things first hand. That we can be enlightened via proxy. This must be good enough for most of our experiences, our thinking, and the concoction of our world view.

Perhaps it is the same kind of misguided individualism that inspires half the world to be indelibly inked with "unique" tattoos. Is it the effect of the awareness of feeling so insignificant in the world that we must strike out in some way, to be appear original, at all costs? I'm sure these confused ramblings are something along those lines too.

I don't like to bring the environment into this, as horrific an effect our cumulative attempts at individuality are, these quests for a questionably richer fabric of personal history. But surely the same question would, and should arise. If there were no environmental degradation from millions of people taking pointless journeys, surely we must still question the point of those journeys.

Of course, many of them are not pointless. There is little we can do when the globalised world encourages us to fall in love with people from far flung reaches, or retire to overseas "paradises". All of which require us to travel to keep alive those essential connections with our loved ones. I would not begrudge anyone who feels that need, I have felt it myself, of course. The perpetuation of those close relationships is essential, possibly one of the very few rational reasons for journey.

But for all others, I can't get it. Surely our efforts should be devoted to our immediate surroundings. To enrich them, to make them beautiful and pleasant places that we would want to live, relax, love, and retire in, not an infinite squalor we continually want to escape from. Then we would have no need for the greener grass over yonder.

As the late poet Glyn Hughes said in a recent interview for the Dark Mountain II anthology, "We are sold aspiration...Earn enough money to get on a plane and fly somewhere else to lie on a beach. Why? You don't need it. Go round the corner and lie in a field instead."

Footage from The Lexington

Some footage of my solo show at The Lexington a few weeks ago below. It’s a playlist, so should load one video after the next, seamlessly. If you don’t want to listen to all though, links to individual songs are below it. New songs debuted, such as “We’ll Go Dancing” and “Old Friend”…Enjoy!





We’ll Go Dancing by Marmaduke Dando

Old Friend by Marmaduke Dando

If You Go Away sung by Marmaduke Dando

The Art of Decay by Marmaduke Dando

We Fucked It Up by Marmaduke Dando

And thanks to Andrew Clarke for filming and putting these together, much appreciated.

Sunday, 3 July 2011

Infinite Squalor

Infinite squalor is ushered in,
Like the changing of the seasons,
A natural thing.
Aren't you the clever ones,
Now you have purchase,
To buy up medallions,
And hang them in earnest.

"But how can you blames us? What's to be done?!"
So easy to fuck, so hard to make come.

The lust for labour,
And conspicuous consumption,
Such curious behaviour,
This democratic serfdom.
If you've faith in the system,
Shore up the machine.
Await your end, in mid daydream.


"But how can you blames us? What's to be done?!"
So easy to fuck, so hard to make come.

All shut away now, and tripled locked
With your private libraries,
In your mortgaged box.
The final nail, in this coffin,
Has firmly come, from within.


"But how can you blames us? What's to be done?!"
So easy to fuck, so hard to make come.

Infinite squalor is ushered in,
Like the changing of the seasons,
A natural thing.

Monday, 9 May 2011

An Inhumanist Vision

In recent years, as this blog’s history will testify, I have undergone somewhat of an enlightenment. Discovering the threat of climate change to be irrefutable and learning of the certain realities that peak oil will bring to humanity, has severely altered not only the way I think, but also how I live my life. Peak oil, however, always seemed to me to be more stirring.

Perhaps I found it to be more tangible, the burning of finite resources to power real, touchable objects that surround me everyday of my life. Climate change on the other hand, whilst I can read the studies and draw the same conclusions as 3000 scientists, seems to require greater strength of the imagination. Because of the differences in the emotive effect the two issues have had on me, I’ve often wondered why climate change has received more attention, and yet peak oil is barely spoken about. Why climate change, that is arguably a more abstract concept to get across to the average man on the street, over peak oil, which directly threatens the lifestyles of the Western world?

I’ve finally gotten round to reading The Dark Mountain Project’s published debut, an anthology of poems, conversations, essays, stories and images, that aim to expose the myths of civilisation and attempt to create more honest counter narratives. The first essay in this collection is by John Michael Greer, entitled “The falling years: An Inhumanist vision”, which I believe may shed some light on the puzzling issue of the preferential treatment of some catastrophes over others in the media:

“Compare the recent and continuing furore over anthropogenic climate change to the more muted response to the rapid depletion of the world’s remaining petroleum reserves, and one such distortion stands out clearly. Both these problems are unquestionably real; both were predicted decades ago, both could quite readily force modern industrial civilisation to its knees, and both are already having measurable impacts around the world.

“Yet the response to the two differs in instructive ways. Anthropogenic climate change has become a cause celebre, splashed across the mainstream media, researched by thousands of scientists funded by lavish government grants, and earnestly discussed by heads of state at summit meetings. Nothing is actually being done to stop it, to be sure, and most likely nothing will be done; not even the climate campaigners who urge such drastic action in the loudest voices and most extreme terms have shown much willingness to accept the drastic changes in their own lives that would cut carbon dioxide emissions soon enough to matter. Still, the narrative of climate change has found plenty of eager listeners around the world.

“None of this has happened with peak oil. The evidence backing the claim that the world has already passed the peak of petroleum production and faces a future of declining energy and economic contraction is every bit as solid as the evidence for anthropogenic climate change; the arguments opposing it are just as meretricious; its potential for economic and human costs is as great, solutions are as difficult to reach, and it can feed apocalyptic fantasies almost as extreme as those that have gathered around climate change. Still, no summit meetings are being called by heads of state to discuss the end of the age of oil; there has been no barrage of mainstream media attention concerning it and precious few government grants. Climate change is mediagenic; peak oil is not.

“A core difference between the two crises explains why. Climate change, as a cultural narrative, is a story about human power. We have become so almighty through technological progress, the climate change narrative argues, that we threaten the Earth itself. The only limits that can prevent catastrophe are those we place on ourselves, since nothing else can stop us; and even our own efforts might not be enough to stand in our way. It’s nearly a parody of the old atheist gibe: to prove our own omnipotence, we’ve made a crisis so big that not even we can lift it out of our way.

“Peak oil as a cultural narrative, on the other hand, is not a celebration of human power but a warning about human limits. At the core of the peak oil story is the recognition that the power we claimed was never really ours. We never conquered nature; we merely stole some of the Earth’s carbon and burnt our way through it in three short centuries. All the feverish dreams and accomplishments of that era were simply the results of wasting a vast amount of cheap fuel. Now that the easy pickings are running out, and we have to think about getting by without half a billion years of stored and concentrated solar energy to burn, our fantasies of power are proving unexpectedly fragile, and the future ahead of us involves more humility and less grandiosity than we want to think about.”

He wraps this idea up nicely with the following:

“While anthropogenic global warming is a real and serious problem, its consequences are subject to natural limits that current thinking, fixated on images of human triumphalism, is poorly equipped to grasp. Meanwhile, another real and serious problem – the depletion of the nonrenewable energy resources that prop up today’s industrial economy and keep seven billion people alive – gets next to no attention, because it conflicts with those same triumphalist obsessions. It’s no exaggeration to say that the modern world might solve the global warming crisis and then collapse anyway, because it only dealt with those of its problems that proved congenial to its self-image.”

There is certainly something in this. When explaining peak oil to people, one generally encounters a knee jerk dismissal of any looming disruption to our way of life. The comeback is always, “We will find a way to sustain our lifestyles, we always do, we are ingenious, look at what we’ve already created in the world, examples of how humanity innovates to overcome limits are everywhere”.

It’s the same self belief in humanity that Greer talks about, the collective shoring up of mankind’s staggering ego. What does it mean though, to admit that perhaps there are limits that we cannot overcome through ingenuity? Are there psychological issues at work here? The basis of one’s whole way of life, the premise of a belief system that allows one to operate in this modern world, shattered in their entirety.

The admission that there are limits to our species just as there are limits to every other species on the planet, would leave an individual in disarray. This is what peak oil confronts us with. Its limits challenge everything we believed was true about humanity. What individual would willingly accept to go through the process of admission, confusion, humility, and eventually the restructuring of a belief system? It would be much easier to continue along with old beliefs, ones that the majority of the world believe to be true, which no doubt gives a sense of comfort and ease that a rejection of anthropocentrism cannot give.

I find this refusal to engage in any other narrative to be extremely dangerous. To accept only the mainstream memes leaves one open to what could potentially be a significant fall. Entertaining counter narratives, after an initial internal meltdown, can only help make an individual stronger and more resilient to future catastrophes. If those catastrophes don’t materialise, what has the individual really lost? A little time maybe, not much else.


The Dark Mountain Project is shortly due to publish its second book. Should you wish to purchase the first book and help fund the second, visit their website at www.dark-mountain.net

John Michael Greer’s blog can be found at http://thearchdruidreport.blogspot.com/

Wednesday, 27 April 2011

Criminal Waste of Time

I’ve just finished ‘The Ragged Trousered Philanthropists’ by Robert Tressell, a novel about a group of painter and decorators in southern England in the early 20th century. It’s a long rambling text in favour of socialism, the overthrow of the capitalist system, by showing the contrast between the poverty stricken working class and the rich “sweaters” that have everything and do nothing. The title of the book comes from the idea that the working class are happy with the current system and are essentially philanthropists, pledging all their time and strength to make money for the good of others, not themselves. It’s deeply moving at times, and generally convincing…until one character starts talking about how to organise society, and then I get a little twitchy. The following paragraph resonated strongly with me:

“Nature has not provided ready-made all the things necessary for the life and happiness of mankind. In order to obtain these things we have to work. The only rational labour is that which is directed to the creation of those things. Any kind of work which does not help us to attain this object is a ridiculous, idiotic, criminal, imbecile, waste of time.”

I wonder about this in relation to the Current State of Things. Now that we have more rights to protect workers, we are paid much better, we work only 35 hours a week, we have paid holidays…in comparison with workers a hundred years ago, conditions for the masses are greatly improved. However, we are all still employed in irrational labour. We have outsourced food production and industry overseas, leaving us staring at screens and jabbering away on phones. The service industry, which contains no job that is necessary in order to sustain the life and happiness of mankind.

Have we been granted better working conditions in order to placate us and keep us driving the industrial machine? When the people are on the verge of revolt, make a few concessions and they’ll quiten down, and we can keep the system going for at least another century. With comfortably pointless existences, as most of us have now, what need does anyone have for protest? Especially when looking back at history and seeing how much better we have things now.

It’s curious that so many Labour politicians cite this book as an inspiration to them, the reason they got into politics etc. I wonder how many Labour MPs and their supporters really believe that the service industry is a Criminal Waste of Time. Surely there is still purchase in this idea of Rational Labour, but for the life of me I can’t think how anyone would be convinced.

Wednesday, 13 April 2011

We'll Go Dancing

Brain's been in a fug the last couple of days, but after the regular chores of an evening last night, I managed to set my mind to finishing off this song about dancing with one's beloved. Think Piaf talking in the verses, and then a dreamy 3/4 whisks you away on the chorus. Taking in the glory of spring that is upon us at present, and a stock misanthropic theme, I bring you..."We'll Go Dancing".

We'll Go Dancing

I search this ugly town, for things that do not spark a frown.
Up treeless avenues, down barren streets that hold no clues.
But round the corner in the park, I find the backdrop to my heart.
Take my hand if you please, beneath blossoming cherry trees...

And we'll go dancing, through the rush-hour malaise,
Desperately advancing, in their separate ways.
And you'll look enchanting, either making or breaking,
What would otherwise have been,
Yet another uniquely dreary, forgettable day.

The insipid urban sprawl, and the ideas behind it all,
Are enough to take your breath away, but never in the same way,
As you do my love, come closer my love.
Click hard your heels on the floor, smash all that The Others adore.
We have momentum and flow, like a petal of Spring snow...

We'll go dancing, through the rush-hour malaise,
Desperately advancing, in their separate ways.
And you'll look enchanting, either making or breaking,
What would otherwise have been,
Yet another uniquely dreary, forgettable day.

Despite the heaven that we hold, you are embarrassed by my bold,
Nature to declare, this is more than an affair.
I slow to savour every aspect, you grow impatient with my step.
And as the band are winding-up, you skip out leaving me hard-up.
I'm left alone now with my thoughts, on this imaginary waltz...

We'll go dancing, through the rush-hour malaise,
Desperately advancing, in their separate ways.
And you'll look enchanting, either making or breaking,
What would otherwise have been, and consequently was,
Yet another uniquely dreary, forgettable day.

Wednesday, 9 March 2011

Old Friend

My good friend and musician Rebecca Jade, hosts a songwriting night once a month. The aim of the night is to get the usually stagnant creative juices flowing, by proposing a theme for all participants to write a song about. The last month's chosen theme, picked from a hat, was "old friend". From those two words, I've written the following piece. It's debut performance will be at Folke Newington this Sunday.

Old Friend

So long old friend. I've buried you, as you did me. I've got myself back finally.
So long old friend. You may go now, to where your mind, has been all the time.
So long old friend.

I may seem a little bitter, under this sentimental glitter,
But I must protest, I feel a lot less.
As I get longer in the tooth, thanks to the tumult of youth,
It gets harder each year, to part with a single tear...

So long old friend. I've buried you, as you did me. I've got myself back finally.
So long old friend. You may go now, to where your mind, has been all the time.
So long old friend.

All these trivial teenage trials, and tribulations aside,
The lack of a will, undermines the way.
As I get longer in the tooth, thanks to the tumult of youth,
It gets harder each year, to part with a single tear...

So long old friend. I've buried you, as you did me. I've got myself back finally.
So long old friend. You may go now, to where your mind, has been all the time.
So long old friend.

Tuesday, 8 March 2011

Must We Be Bound?

I present a new song I wrote over Christmas, but finalised last night. It's debut performance will be at Folke Newington this Sunday, March 13th, 2011, doors at 8pm, free entry.

Must We Be Bound

Must we be bound?
From now until the time agreed we lay our promise down,
All efforts to break free will be crushed into the ground,
Must we be bound?
We must be bound.

We may be silly little fools, that think they know it all,
But tell me, when will that cease to be, the essence of mortality?
With no god in which to trust, mine is with yours be as it must,
So fast your hand to mine, it's the blind leading the blind.

Must we be bound?
From now until the time agreed we lay our promise down,
All efforts to break free will be crushed into the ground,
Must we be bound?
We must be bound.

No document is needed or any caution heeded,
When time and money are pissed away on endless nights of debauchery.
And a hangover is the only thing, I've a chance of being intimate with.
Well here's my lot I throw it in, and take what may come on the chin.

Must we be bound?
From now until the time agreed we lay our promise down,
All efforts to break free will be crushed into the ground,
Must we be bound?
Must we be bound?
Must we be bound?
Must we be bound?

Monday, 7 February 2011

Footage from rooms

The last week has seen the band and I play a few acoustic shows, power down style. One of these performances took place in someone's living room in rather swanky part of London, Primrose Hill. That was for people at Songs From a Room, who organise pop up gigs in living rooms in cities all over the world.

The other acoustic performance we gave was at Flashback Records to commemorate and celebrate my debut album coming out on vinyl record. It was an overwhelming night, with the shop bursting with people, the busiest it's ever been said its owner. If you failed to make it down to grab a copy, Flashback is stocking the album 'Heathcliffian Surly' permanently, on CD and Vinyl. Alternatively you can buy over the internet here.

We will be quiet for a month now, and will re-emerge at the Union Chapel on Saturday, March 5th, for Daylight, an afternoon of music starting at midday.

Until then, have a butchers at some of the recent footage below.


Live at Flashback Records:

Live at Songs From a Room: